People, places and fried fish

Tourists, locals and some just trying to be a nuisance

A local shop selling varieties of fried fish

A perfect place for some sunshine and a cup of tea on a cold day
(Temple was completely destroyed by the April 2015 earthquake and
as of Nov. 2016 no reconstruction work has commenced)

Varieties of Lentils sold at a shop behind Kasthamandap

Water Spouts at the heart of the Public Realm II

Of ignorance and neglect.

This is part II of my earlier post on Dhungedharas, the ones still running. For more details on that post, refer the link below -

Part I of this Series

Here's looking at the other end of the spectrum, whose fate stands in stark contrast to those mentioned earlier. Most of them are outside the bounds of the historical core areas and increasingly they seem out of place in areas where changes [read mostly new construction] are taking place rapidly. As we have seen historically, some of these changes are detrimental to these ancient structures and their functioning so a few are in urgent need of repair of some sort! That aside, there is still a growing water shortage in the city and a running water supply system meant for a purely public consumption could be in the best interests of society itself. They are therefore relevant and useful not only from a historical point of view since they represent a way of life that gave rise to them but also because they are still useful even today. And because they are an integral element of the public realm, of elements that has shaped and defined traditional public spaces as we have come to know in this part of the country. Thus they are as integral to this city as 'we' the people are.

Dhungedhara at Gairidhara, Kathmandu

This one next is at Bhimsensthan close to the river Bishnumati and although not physically in ruins like the one above, it has got a drainage problem and needs urgent cleaning as we can see from the picture below.

Dhungedhara at Bhimsenthan

This one next is the famous Water Spout opposite the old south gate of the Narayanhiti Royal Palace (now Museum), a place which has a very interesting legend dating back to the Lichhavi period and the Boudhanath Stupa associated with it. The premise is open to the public and is well kept except the obvious drainage issue, one of the three water spout was working when this picture was taken.

Dhungedhara at Narayanhiti

Where water still flows...

The one below is a Dhungedhara at Naxal.

Dhungedhara at Naxal, Nandi Bahal

Fragments of a different time

Updated on Nov. 2016

Dhungedhara next to Bhatbhateni Temple

Bhuvaneshwori Temple, Pashupati Nath

Bhagwan Pau, Swayambhu Nath

The Festival 'Jatra' of Seto Macchindranath

The streets of Kathmandu where the sacred meets the everyday - this festival of Seto Machindranath takes place during March/April with the start of the Chaitya Dashain. It is a festival or Jatra as it is referred to by locals, where the idol of Seto Machindranath is kept inside a chariot which is especially made for this ocassion and the chariot procession goes through the very heart of the ancient city, through the narrow winding streets of the old street, from Durbar Marg where the Chariot is first assembled, through to Ason where it is kept for a night, which is one of the major Chowks or squares of the historic city core, to the square in front of the Jana Baha where the diety is otherwise housed. It then proceeds southwards towards the Indra-Chowk where a major ceremony takes place in full public view in front of the temple of Aakash Bhairab. The chariot is then taken to the Kathmandu Durbar Square precinct where it stays for one night near the big stone staute of Bhairab.

This is one of the major festivals of Kathmandu and every year the celebrations are carried out by the locals. There are a lot of myths and legends attached with this festival, the well being of the people and the country upon the successful completion of this chariot procession which ends at the Lagan Chowk. Thus, a ritual procession takes us through the entire city, ending at its south-most square. Originally, the extent of this procession route must have taken place within the confines of the city walls. This can be confirmed by studying the conjectural outlines of the city walls that have been drawn up by various scholars since there is hardly any physical remnant remaining of that city wall.

It is interesting to see that these streets were not just a medium of transportation within the city and part of the ancient trade route connecting Tibet to Nepal's southern neighbor but rather were very much part of the every day drama - a theater where its populace actively took part. Every Chowk or Square that this chariot route connects has a wealth of architectural, religious, social and thereby cultural significance. I have written about water spouts, stone images, stupas, temples, and other public monuments that can be found scattered throughout these squares giving it a unique character.

Glimpses of Patan: the durbar square

I'm posting a few snaps from Patan Durbar Square - one of the most beautiful ensembles on the World Heritage Site list. There is a lot more to see and appreciate around the historic city of Patan but I'm going to start off with a personal favorite of mine - the Durbar Square. Of the three medieval palace complexes of the Kathmandu Valley, this square feels the liveliest. A combination of the beautiful architecture, art, sculpture and most importantly people and their every day lives make it a living square; a true public space that is open to one and all. On top of that, the cafe at the back in the palace garden is truly a delightful place to be. The Museum that can be entered through the Keshav Narayan Chowk (picture below) has a wonderful collection. 

Keshav Narayan Chowk - Patan Durbar now Patan Museum

Window on the main facade of the Patan Durbar  (Palace)

The central bay of the main window (Gaa Jhya)

Entrance to Museum

The palace complex and the adjacent square is located at the heart of the ancient city of Patan - one of the three major cities of the valley alongside Kathmandu and Bhaktapur, at the cross-roads of the two major city streets that run east west and north south respectively. The palace complex being parallel to the major road and its location is generally believed to be the geometric center of the historic town which was originally walled.  It is generally accepted that this city was yielded to the Lichhavis by the Kiratas during the 2nd Century AD even though the foundation is believed to date back only up to the 4th century AD. However, no palace building is believed to date back further than the 17th century when it took its present form to a large extent - during the reign of Siddhinarsingh Malla. The palace complex has four courts - Sundari Chowk, Mul Chowk, Taleju Court and Keshav Narayan Chowk. 

One of the most interesting aspects of traditional Malla palaces seems to be the volume of the buildings. Most of these buildings, temples are not dominant by size but rather by elaboration of details, materials used and through overall design. This is in contrast to most palace complexes found around the world that invariably tend to dominate the city-scape by their sheer size and monumentality. Another element that is common to both the Kathmandu and Patan Durbar is the presence of towers which is absent in the case of Bhaktapur. It suggests that perhaps tower were a later development which explains their absence at Bhaktapur. Also key to note that these weren't residential towers but religious instead. 

Another thing worth noting is how all the entrances to the temples on the square adjacent to the palace complex face the palace. This amazing public space is greatly colored by the stylistic variety of the temples found there that range from a simple tiered temple to shikhara styled temples, and other elements that define a traditional public sphere in the towns of the valley. Those elements are the oldest water spout Mani dhara, the twin sattals - Mani Mandapa, commemorative stone steeles and other sculptural jewels that occupy every nook and corner of this square. 

  

Mani dhara - oldest water spout in the valley

Krishna Mandir (Temple), Patan Durbar Square

View of Krishna Mandir from Mani Mandapa (Mani dhara)

One of my favorite Temple exteriors with lots of carvings

The Bell, Patan Durbar Square

View of Patan Durbar Square with the palace to the right undergoing restoration work

There is a lot to see around here and its not just limited to this wonderful slice of medieval paradise. There was a lot of restoration work underway when I visited the musuem and the square recently; starting from the   Mul chowk, the Sundari chowk that houses the famous Tusa Hiti, to the Bhandarkhal (gardens) at the back along with the water fountain that it contains. Of the temples in this square, the Krishna Temple at the northern most end, is perhaps the most famous of them all. It's the center of all worship during the Sri Krishna Janamasthami every year where hundreds of people come to pray. If you have time on your hands, do give this temple more than a fleeting glance. You'll see scenes from the Mahabharata engraved on the frieze above the columns on all sides of this temple. 

Updated Dec. 2016

Patan did not escape the April 2015 earthquake unscathed. The SW part of the palace complex suffered a lot of damage and as of July 2016 reconstruction work had commenced. A lot of temples in the main square outside the Palace were either damaged or fell. Krishna Temple has been shored up and awaits restrengthening. While the rest houses (patis) on either side of the dhungedhara collapsed.

The recently renovated pond in Bhandarkhal with damaged building
in the back ground (July 2016)

Pieces collected from debris (July 2016)

Temple Friezes collected and stacked for re-use (July 2016)

Carved wooden elements stored
(July 2016)

Building elements collected from fallen temples

Members awaiting repair works

Wooden members stored in temporary sheds at the back
which also works as workshops (July 2016)

View of the back court from top of museum wing (July 2016)

Dhungedhara to the North of palace (July 2016)

Damaged temples supported (July 2016)

Repair works underway (July 2016)

Parts of the chowks have been cordoned off
mainly for public safety (July 2016)

Wooden Struts / Tudals (July 2016)

Wooden Struts stored at the palace complex (July 2016)

Parts of Sundari Chowk have been damaged
(July 2016)

The beautiful Sundari Chowk (with Water spout)
(July 2016)

The Center piece of the complex (July 2016)

Mul Chowk reconstruction underway (July 2016)

Recently renovated pond at the gardens (Bhandarkhal)
July 2016

View from the back towards Mul Chowk
(July 2016)

A stroll through Bhaktapur

My destination this week was the smallest of the three Kathmandu Valley towns, Bhaktapur, the city(pur) of devotees (Bhakta) – also called as Bhatgaon or Bhadgaon, Khoprin, Khvapa or Khopah. It might be smallest but is certainly the best preserved and the oldest of the three cities. Traditionally, this town was amongst the main towns straddled on the trade route between Tibet and India. However, changes in political regime, construction of alternate motorable routes most notably – the opening of the trade route via Kalimpong by the British meant that the historical importance of those towns along the traditional route waned- one of those towns was Bhaktapur. Perhaps that was a good thing in hindsight because it may have helped preserve this unique place, its heritage and culture.

One of the best things about Bhaktapur is that there is little evidence of the ugly urban sprawl that characterizes the other two historical towns of Patan and Kathmandu. Unfortunately, sprawl is everywhere in the valley, so even though the core of Bhaktapur is reprieved of that ugliness, it is literally knocking at its doors because that's all you see before you get there - scattered glimpses of concrete randomness that has slowly replaced the surrounding agricultural lands. 


You must rewind back to the 70s to understand how change has occurred and also been deterred at the same time. The historicity of this wonderful place owes its preservation as well the continuity of certain traditional arts and craft practices to the Bhaktapur Development Project, a bi-lateral co-corporation between the Govt. of Nepal and the Govt. of the Federal Republic of Germany from 1974-1986. The project executed in three phases had a simple objective i.e., 'Improving the living conditions of the population of Bhaktapur' which it most certainly did.


Once the capital of the country from 12-14th century, Bhaktapur has been a UNESCO World Heritage Site since 1979.  You drive off the Arniko Highway towards the narrow streets and ultimately enter the city through one of the last remaining city gates, the uniqueness of this traditional urban-space becomes apparent. Once inside city limits, you travel through brick paved narrow lanes and brick faced buildings built following the traditional Newari architectural style almost crowd you on either side providing glimpses of what’s ahead at the heart of Nepali art and architecture.

The Nyatapola Temple, Taumadhi Tole, Bhaktapur

Driving through those narrow bricked paved streets - you have absolutely no clue what to expect, until it hits you - visually and aesthetically. The first glimpse of the five-tiered Nyatapola temple triggers your curiosity and by the time you get to the center of the square in front of the temple, you can be excused for getting overawed. And the best is yet to come! One of only two five tiered temples in Nepal, the Nyatapola was erected by Nepali King Bhupatindra Malla during a 5 month period from late 1701 into 1702. It enshrines Siddha Laxmi, the Hindu goddess of prosperity. Nyatapola is designed with five stepped plinths of progressively and proportionately reducing widths lined with pairs of guardians arranged in order of increasing power. They are wrestlers, elephants, lions, griffons and lastly two minor deities Simhini and Vyangini. Springing from a base square measuring 22.5 meters, the plinth which can be understood as a stepped pyramid rises to a height of 9 meters. From the plinth level, the main body of the temple rises to a further height of 22.5 meters to the top of its pinnacle. 


The square in front of the temple i.e., Taumadhi Tole, has an additional temple 'Kasi Bishwanath' dedicated to 'Bhairava' (circa 1717 AD)  which defines the eastern edge of the square and is an integral part of everyday life of the people of Bhaktapur since traditional festivals and jatras still take place here as a continuum of the age old traditions.


If you would like to stop for a quick bite or just a cup of coffee, there is a traditional rest-house which has been converted to a cafe at the south-west corner of this square. Another place for good coffee is the small outlet of Himalayan Jawa on the stretch of road between this square and the Tachapal Tole containing the famous Pujari Math. 

A stone temple with the 55 windowed palace at the back

East of the main Palace court

Square in front of the palace

Square in front of the palace

Taumadhi Tole (square) in front of the Nyatapola Temple

Dattatreya Chowk (square) with the Dattatreya Temple at the back

The contrast between this square – which is more public in nature and the square in front of the Royal Palace is fairly evident. This square comes alive with people, the music and the noise- clatter of everyday that at times seems to compete with the massive temple itself. On the contrary, the square in front of the palace is quiet, calm and almost feels ordered where despite the unassuming nature – in terms of scale not architectural magnificence, the palace takes center stage and not the people.

National Art Gallery, Wood Carving Museum, Pujari Math - Bhaktapur

A typical stone paved alley

I really wanted to see the famous ‘Peacock window’ so the next stop was the Pujari Math which houses the National Art Gallery - Wood Carving Museum. Located about a five-ten minutes walk east of the Nyatapola temple, you arrive at another square - Tachapal Tole which is also littered with ancient monuments, a sunken water spout, rest-houses, commemorative stone pillars, the popular Dattatreya Temple and the famous Pujari Math. Since I did not have so much time, museum gazing had to be left for another day but I did find my way to the exquisite ‘Peacock window’. And if you need a bite, there is a Peacock Cafe overlooking the square, go figure!

Peacock Window, Pujari Math, Bhaktapur

The last part of this short tour was literally a mad-dash to the palace precinct and although I wanted to spend more time looking at the carvings, details and study some stone sculptures, look through the museum there - I didn't have much time. I did take some pictures of the 55 window palace, the square in front and the two stone temples, which is rather unique in Kathmandu. One of those stone temples built around the late seventeenth century is dedicated to 'Batsala Durga' but happens to be modeled on the Krsna Temple of Patan. 

The oldest surving section of this palace 'Mul Chowk' is believed to date back to 1342 AD. The palace itself has undergone a lot of changes and was one of the worst hit during the earthquake of 1934 AD. A lot of priceless art in the form of sculptures, murals, carved struts of historical value were lost not just due to the earthquake but also due to vandalism and the nature of reconstruction work following the earthquake. Some monuments have also been lost, the octagonal sattal was recently re-constructed using old photographs. 

I cannot close this post without the mention of the Golden Gate added during the reign of Ranjit Malla 1753/4 AD. The gilt metal, moldings and sculptures are beautiful. 

The Golden Gate, Bhaktapur Palace